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Annette Kolodny quotes. Quote:”Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism” . Annette Kolodny. Dancing Through the Minefield: Some Observations on the Theory, practice, and Politics of a Feminist Literary Criticism. Kolodny’s theoretical. Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Annette Kolodny – – Feminist Studies 14 (3)

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In the writings she examined, she noticed a different theme from that of the male writers:.

Notify me of new comments via email. Political Theory and Feminist Social Criticism. I chose this article by Kolodny because monefield marks a specific point in the history from which I can build in writing my essay.

Annette Kolodny

Norton and Company,p. Dancing Through the Minefield: We have to go beyond the aesthetics evaluations and look for interpretive paradigms and develop our critical method of evaluation. Insofar as we are taught how to readwhat we engage are not texts but paradigms.

Kolodny suggests that we have to create new ways of judging our literary works that we have to find other ways and methods. The Western Literature Association awarded the book annettd Thomas Lyon Prize as “the best book in Western literary and cultural studies published in In she was elected to lifetime membership in the Norwegian Academy of Science and Letters. These three general theoretical principles are then supported by the concept of pluralism.

In light of the social constructionist view that aesthetic values, as assigned to the literary canon, are in actuality the products of social conventions and values, Kolodny claims that feminist criticism should “discover how aesthetic value is assigned in the first place” Kolodny and then assess the socially-constructed reading patterns that lead to those value judgements.


ENGL PAB#1: On Annette Kolodny, “Dancing through the Minefield” | A. Lorean Hartness

In short, Kolodny raises many pivotal issues in regards to multiple interpretations and schools of thought. This misunderstanding also depend on the differences between us such as knowledge, believes, points of view, as well as the difference between times. Instead, throhgh became either a nurturing maternal figure, existing to provide sustenance, kilodny a passive virginal figure, existing only to be dominated, sexually or otherwise. This page was last edited on 29 Augustat See full article on Social constructionism Using this theory, social entities are seen minefielc always being in a state of change as society itself changes, and the relationships of the entities change.

Josephine Donovan – – Critical Inquiry 3 3: Email required Address never made public. Fine literature by women writers, is annette result of their researching of the past. The essay emphasizes the real situation of contemporary women. She outlines a number of changes which can be made to improve conditions and, realizing that any substantial change will require equally substantial money, encourages government reinvestment in higher education.

Annette Kolodny – Wikipedia

They dreamed, more modestly, of locating a home and a familial human community within a cultivated garden. Feminist Studies 6 1: Judith Kegan Gardiner – – Feminist Studies 8 3: So any critical interpretation is necessarily a product of two forms of social construction.

Since the grounds upon which we assign aesthetic value to texts are never infallible, unchangeable, or universal, we must reexamine not only our aesthetics butas well, the inherent biases and assumptions informing the critical methods which in part shape our aesthetic responses. Rather, the object of pluralism is to make use of multiple critical approaches and to get a fuller appreciation of the variety of meanings which can be present in a single text.

While she does not specify that alternative critical approaches should come from different ethnicities or sexualitiesthere is no reason why they could not and such inclusion would only increase the scope of the “broad critical awareness” [7] mentioned above.


Leave a Reply Cancel reply Enter your comment here Following her tenure as dean, which spanned from toKolodny was named College of Humanities Professor of American Literature and Culture at the University of Arizona.

This site uses cookies. Finally, tne 5, “Making It with Paradise: First, she writes, “literary history…is a fiction.

The projection of female imagery onto the landscape was essential to its colonization, she argued; in her introduction, she asks, “was there perhaps a need to experience the land as a nurturing, giving maternal breast because of the threatening, alien, and potentially emasculating terror of the unknown?

These three propositions are: As an example, literary history is a fiction which we recreate daily when we read it.

Through an examination of several male writers, such as Philip FreneauJames Fenimore Cooperand John James AudubonKolodny pursues the implications of this metaphorically female land. Our understanding of the meaning of any text is a result of our needs and desires as well as our predisposition. Kolodny is also well known for two essays published in There were no triumphant heroes of the order of Daniel Boone or Davey Crockett ; rather, the narratives of these aannette focused on the triumph of domesticity and order in a wild land.

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In other words, now is the time to switch our traditional roles. You are commenting using your Twitter account. Heyes – – Cornell University Press.