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“Resignation” Transcription. All About Brad Mehldau added 7 new photos. October 5, ·. “Resignation” Transcription. No automatic alt text available. +4. Stream My Transcription Performance of Brad Mehldau – Resignation by Bryan Crook from desktop or your mobile device. Others are ‘meta-elegies’ that deal with the idea of elegy itself in all its aspects, like ‘Memory’s Tricks’ and ‘Resignation.’ A starting point theme-wise and.

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Analysis frequently forms part of any contemporary university course in music. And what variety we find: Particularly favoured during the last fifty years is the technique developed by the Austrian Heinrich Schenker All musical analysis lies between description and prescription.

The fact that many types of analysis exist gives us the hint that no single analytical process prevails, though by the s Schenkerian Analysis had become one of the main melhdau taught by progressive North American music colleges and university music departments.

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Today, the predominance of the Schenkerian approach, and its use as a sort of senior common-room badge of withitry, is in decline.

Though none of these types of analysis excludes it, few analysts have approached jazz. Few jazz educators value the types of analysis favoured by the establishment. To consider jazz from any analytical perspective requires one to work from a transcription, a good transcription reslgnation itself being an analytical statement.

One could write a substantial thesis about published jazz transcriptions, to transcriiption their use and misuse, their history, the writing of them, and the quality of what is published and available, the good, the bad and the inaccurate. The transcriptions are given in full notation, on two staves, with no chord symbols.

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Of course, one could simply enjoy playing, or attempting to play, the transcriptions. No CD is provided, but Mehldau’s recordings are widely available.

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Commentary is printed in the form of a parallel text, French and English, more than fifty pages altogether. The conceptual unity of Elegiac Cycle is described as being ‘distilled in the themes of different tracks.

My Transcriptions | Michael Lucke on Patreon

The pieces are all constructed on the basis of two very short melodic motifs. Here it refers to a musical anagram, a play on the letters of Mehldau’s first name. Brad becomes Bard, and by similar processes – of mirroring, stretching, contracting, ordering, etc.

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