HEINRICH B LL DIE VERLORENE EHRE DER KATHARINA BLUM EINE . vocabulary expansion section3 Minuten Zusammenfassung von. 2. Juni Die meisten Werke Bölls erschienen nachdem er einen Wettbewerb der Gruppe 47 gewann und dadurch einen Autoren- vertrag erhielt. 7. Dez. Die verlorene Ehre der Katharina Blum Der Schreiber Heinrich Böll Buchhandel Deutsch Beamte Nobelpreis für Literatur.
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The Lost Honour of Katharina Blum, or: Die verlorene Ehre der Katharina Blum oder: The story deals with the sensationalism of tabloid news and the political climate of panic over Red Army Faction terrorism in the s Federal Republic of Germany.
The main character, Katharina Blum, is an innocent housekeeper whose life is ruined by an invasive tabloid reporter and a police investigation dif the man with kathairna she has just fallen in love turns out to be wanted by the police because of a bank robbery.
Four days after a Weiberfastnacht ‘s eve party Wed. The next morning, the police break into her house, arrest her and question due.
According to Katharina, upon his arrival he suggests that they have sex, whereupon she shoots him dead. She then wanders the city for a few hours before driving to police headquarters and confessing to murder.
Die verlorene Ehre der Katharina Blum
The book also details the effects of the case on Katharina’s employers and friends the Blornas; Mr Blorna is her lawyer, and Mrs Blorna one of the designers of the apartment block where Katharina resides. Their association with Katharina leads to their exclusion from society. The story is written from a first-person plural perspectiveas if the narrator were presenting a confidential report to the reader on the basis of sources. The technique is documentary, as with Group Portrait de Ladybut with a much more disciplined focus on essentials.
The reader is sometimes left to infer who the sources are for many of the reports, and even to wonder whether the narrator may not be one of the characters in the novel. This way, the narrator is dependent on characters and the information they impart, becoming a researcher and critic of his source material.
This is implicitly contrasted with the journalists who irresponsibly distort their sources. The kathharina on zusammenafssung journalism is thus mounted from the perspective of a narrator whose moral authority is enhanced by the use of the ‘regal’ first-person plural form.
In some parts of the story, the elaborate and detached manner is also used for comic effect when retelling violent, silly or emotionally conflicted incidents as more and more personal secrets of the characters are revealed. Tilo Medek adapted the novel, on a libretto by his wife Dorothea, to an opera Katharina Blum which was premiered in Bielefeld.
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