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Dub: Soundscapes and Shattered Songs in Jamaican Reggae. MICHAEL. E. VEAL. Middletown CT: Wesleyan University Press, x + pp. (Paper US$ . Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Sonic Bodies: Reggae Sound Systems, Performance Techniques and. Middletown, CT: Wesleyan University Press () pp., Paperback, $ The task of documenting and conveying the significance of a.

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Aug 03, Lawrence rated it really liked it Shelves: A more explicit discussion of this resignification of Schafer’s term would have made Veal’s innovative application of it far less confusing and also would have strengthened the book’s theoretical framework.

They created a music as roughly textured as the physical reality of the place, but with the power to transport their listeners It’s clear from the author’s introduction that this is a personal music to him — one that grabbed his attention immediately and held it with sufficient vigor to create this extremely thorough review.

For those looking for what I was, I recommend skipping the intro, reading chaptersand then the appendix. He further explores the “dub suattered that suattered crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe.

Paul rated it really liked it Dec 11, Lists with This Book.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae

That’s my life now, everything I shatteredd, I see dub, I see pastiche and hear the jzmaican that could be made from the source material. Certainly Veal covers the far-reaching influence of the genre after its decline and transformation into Raga and Dancehall, but really missed out on what a fantastic influence it had in the early and mid seventies, as can be heard on recordings by Can, The Talking Heads, and Eno himself.

It does get a little pedantic toward the end, but not before giving the reader the tools to listen to and understand dub with a greater appreciation for the environment that inspired it, the artists that pioneered it, and the techniques that made it come alive-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live.

View freely available titles: Paperbackpages. Mar 29, Kris rated it really liked it. There are no discussion topics on this book ahattered. As the author puts it: JHat rated it really liked it Apr 05, My library Help Advanced Book Search. Account Options Sign in. Shatteree only real issue I had with the book are the constant comparisons of songs with their dub remix versions, replete with blow-by-blow verbal descriptions of what’s happening in the song, in technical musicologist terminology.

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[PDF] Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture) Read Online

So basically I danced all around dub for years chasing dancehall from NYC hip-hop, reggae, ska and rocksteady from dancehall, and never really hitting unto the dub sounds until the late ‘s. The writing isn’t enthralling, but it’s not supposed to be. Wish it had recommended playlists. The Backbone of Studio One. This was an extraordinarily well-researched book by ans author with unquestioned credentials as a musical historian and scholar. Jan 23, Graham rated it really liked it.

Of course, now it’s like the old Tootsie Roll ads, where everything the kid sees turns into a tootsie roll. Apr 11, Sheehan rated it it was amazing. Tim Haslett rated it it was amazing Feb 06, This isn’t necessarily a bad thing, though some of the language can get overwhelming to those inexperienced in this field, but to re Solid overview of dub that touches on musicology, history, and post-colonial theory to explain the style’s prominence and lasting influence.

Soundscapes and Shattered Songs in Jamaican Reggae. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its geggae sound. Preview — Dub by Michael E. Soundscapes and Shattered Songs in Jamaican Reggae.

Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation.

Although Veal’s frequent use of soundscape appears to muddle the term, at least in the sense that Schafer first proposed it and subsequent scholars and theorists have employed it, the mis use appears to be an attempt on Veal’s part to show how imbricated songs, sounds, and their social environments often are—not to mention to emphasize the role that engineers and duh play in sculpting sounds and songs.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal

That being said, between some tips from this book, Internet searches, Pandora’s dub channel, and watching the film Rockers recommendedI’ve had jaaican enjoyable, deeper excursion into the world of dub. It also had much to say on the impact that Dub has had on a plethora of music that followed it.

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Gina rated it it was ok Feb 22, Putting questions of under theorization aside for the moment, the crowning achievement of Veal’s study is without a doubt the way he brings to light the distinctive technical-musical efforts and accomplishments of reggae’s most influential producers and engineers, from well-known and heralded producers such as King Tubby, Lee “Scratch” Perry, King Jammy, [End Page ] and Scientist to such relatively unsung heroes as Errol Thompson and Sylvan Morris, the longtime engineer at Coxsone Dodd’s groundbreaking, pacesetting Studio One.

Michael Veal’s Dub is an informative and welcome contribution to the reggae literature, to studies of Caribbean, Afrodiasporic, and Afro- American music and culture more generally, and to the growing field of writings [End Page ] concerned with recording technologies and the social as well as musical dynamics of recording studios MeintjesKatzGreen and Porcello One way that Veal gets at the myriad intersections of the sonic and the social is through the term “soundscape,” originally coined by Canadian composer, theorist, and environmentalist Murray Schafer to describe the sonic profiles or acoustical environments of the physical spaces we inhabit see, e.

The author cites specific a and b-sides of singles to describe what makes each engineer unique.

Thanks for telling us about the problem. I’m not against academic writing – this is just a potential diamond in the rough that needs much more polish to be clear.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae – Michael Veal – Google Books

Jus Like a Volcano in Yuh Head. The author also covers the historical and sociological influences on dub and its assimilation into anx of many cultures. Kam-Au rated it it was amazing Jun 05, This website uses cookies to ensure you get the best experience on our website.