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An introduction to Sofia Gubaidulina’s violin concerto Offertorium, which we perform on Wednesday 6 November as part of Southbank Centre’s. SOFIA GUBAIDULINA – Offertorium ()* – Violinkonzert · Violin Concerto – Hommage à T. S. Eliot – Gidon Kremer* – Boston Symphony Orchestra* – Charles . The leading record label for classical music in Scandinavia. Get information on artists, composers and new releases and buy CDs & SACDs from the online.

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Both are offertorim more marked, and religious preoccupations more overt, in the more recent Hommage a T. This page was last edited on 9 Aprilat Even the name is a reference to that section of a Mass performed immediately after the Credo that is sung while the priest is offering up the prepared bread and wine.

Kremer, the person to whom it had been dedicated and given to perform, was at odds with the Moscow government for refusing to return to the Soviet Union at the end of his two-year period of permission to perform worldwide.

The prospects for a performance of Offertorium were tenuous, however: Both performances are extremely fine, Kremer’s virtuosity in the Offertorium matched by orchestral playing of great brilliance, and the performers of the Hommage project it with passionate urgency; the recordings are very fine guvaidulina. The name of Sofia Gubaidulina has been heard more and more often vubaidulina the West in the last few years, often enough bracketed with those of her close contemporaries Alfred Schittke and Edison Denisov.

A recording, made by Kremer in Boston in Apriltook the piece around the globe. Skip to main content. The all-time greats Read about the artists gubaidulin changed the world of classical music. She was thirty by the time she produced her first notable piece, her now much-performed Chaconne for piano, and nearly sixty before her name was known at all outside Russia. The apparent musical ‘programme’ of the work from Bach back to Bach by way of quasi-serial procedures is also an gubaidluina, I believe, both of its objectives and its achievement.


The introduction presents the theme almost whole: Continue reading about Offertorium in our online programme.

To find a composer in whom simplicity and complexity are not opposites but part of a spectrum, both servants of a disciplined but impassioned expressiveness, is a welcome experience, and ofdertorium richly rewarding one. By using this site, you agree to the Terms of Use and Privacy Policy. We use cookies to ensure we give you the best experience of our ofrertorium.

Views Read Edit View history. Russian and Tatar, Orthodox and Muslim though her father was not religiouscentral and peripheral, western and eastern.

Sofia Gubaidulina – Offertorium

Home Explore News Introducing: The request stuck in the composer’s mind, and from that chance encounter, Offertorium was born — even though Kremer’s whirlwind success, and the permission he had received to play outside the Soviet Union for two years, soon led him to forget all about it. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Coming from the predominantly Islamic offertoium of Tatarstan, Sofia Gubaidulina gained a dual heritage from her parents: While this was happening, Gubaidulina attempted to have the chorale from Offertorium used in a film The Great Samoyed by Arkady Kordon for which she was scoring the music, but this was rejected by the director. That she may be the most individual of the three and the most compellingly gifted is at least strongly suggested by this impressive coupling.

Gubaidulina Offertorium; Hommage

The score did, however, finally reach the West and Kremer, who found a venue — the Wiener Festwochen — and the necessary resources to perform the forty-minute piece. I may be wide of the mark, but some such reading seems implied by the expressive intensity of the music. Can gubaodulina, perhaps, read her further statement that ”the whole score is built on the idea of conversion” in this light, and interpret even its title guubaidulina having a double meaning?


Offertorium was first performed in in Vienna by Kremer and the ORF Symphony Orchestradirected by Leif Segerstamand was immediately lauded for its striking beauty. The soloist then enters, beginning a series of variations, each of which removes one note from the beginning and end of the theme. Gubaidulina has offered no verbai programme for the Offertorium offertoriuk, so far as I know, but she has said in an interview in The Musical Times: Light and darkness, ”the fire and the rose”, are the central images of the texts Gubaidulina has chosen, and her musical imagery, her use of instruments even, match offertoriym images with precise poetic insight.

BIS Records – Gubaidulina – Offertorium

On Wednesday 6 Novemberwe perform her violin concerto Offertoriumwhich is considered by many to be her greatest musical achievement. Sofia Gubaidulina’s Offertorium Details Published: Please help to improve this article by introducing more precise citations.

This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.

Offertorium, dating from the first years of her international breakthough, may be her greatest achievement. The work takes as its overarching theme the concepts of sacrifice and offering: It was a good place for the world to start discovering the composer. Eliota work of formidable power and gripping vehemence. Only three of its seven movements actually use Eliot’s words from the Four Quartetssung in English but the whole work is concentrated upon his dark meditations on sin and redemption.

Beneath this, the harps and piano reconstruct the theme note by note, in reverse retrogradea process that concludes only at the very end with a complete statement from the solo violin. In fact, Gubaidulina was unofficially criticized by Tikhon Khrennikov for her heavy use of religion as inspiration. Composition Artist Credits Offertorium.